2017 Kiss Me Kate

LAMP had a very successful production of Kiss Me Kate in Linlithgow Academy in October 2017. 

Kiss Me, Kate is a musical written by Samual and Bella Spewack with music and lyrics by Cole Porter The story involves the production of a musical version of William Shakespeare's Taming of the Shrew and the conflict on and off-stage between Fred Graham, the show's director, producer, and star, and his leading lady, his ex-wife Lilli Vanessi.

Act I

In a Baltimore theatre, the cast of a musical version of William Shakespeare’s The Taming of the Shrew rehearses for the opening of the show that evening (“Another Op’nin’, Another Show”). Egotistical director/producer/leading man Fred Graham stars as Petruchio, and his movie star ex-wife, Lilli Vanessi, is playing Katherine. The two argue incessantly, and Lilli is particularly angered by Fred’s interest in the atractive young actress Lois Lane, who is playing Bianca. After the rehearsal, Lois’s boyfriend Bill appears; he is playing Lucentio, but he missed the rehearsal because he was gambling. He tells her that he signed a $10,000 IOU in Fred’s name, and Lois reprimands him (“Why Can’t You Behave?”).

Before the opening, Fred and Lilli meet backstage, and Lilli shows off her engagement ring from Washington insider Harrison Howell, reminding Fred that it’s the anniversary of their divorce. They recall the operetta in which they met (“Wunderbar”). Two gangsters show up to collect the $10,000 IOU, and Fred replies that he never signed it. The gangsters say they’ll give him time to remember it and will return later. In her dressing room, Lilli receives flowers from Fred, and she realizes that she is still “So In Love.” Fred tries to prevent Lilli from reading the card that came with the flowers, because he actually intended them for Lois. But Lilli takes the card with her onstage, saying she will read it later.

The show begins (“We Open in Venice”). Baptista, Katherine and Bianca’s wealthy father, will not allow his younger daughter Bianca to marry until his older daughter Katherine is married. But Kate is shrewish and ill tempered, and no man desires to marry her. Three suitors – Lucentio, Hortensio, and Gremio – try to woo Bianca, and she says that she would marry any of them (“Tom, Dick, or Harry”). Petruchio, a friend of Lucentio, arrives, expressing a desire to marry into wealth (“I’ve Come to Wive it Wealthily in Padua”). The suitors hatch a plan for him to marry Kate.

Kate, however, has no intentions of getting married (“I Hate Men”). Nonetheless, Petruchio attempts to woo her (“Were Thine That Special Face”). Offstage, Lilli has an opportunity to read the card. She walks on stage off-cue and begins hitting Fred, who, along with the other actors, tries to remain in character as Baptista grants Petruchio permission to marry Kate.

Offstage, Lilli furiously declares she is leaving the show. However, the gangsters have reappeared, and Fred tells them that if Lilli quits, he’ll have to close the show and won’t be able to pay them the $10,000. The gangsters, at gunpoint, force Lilli to stay.

Onstage, Bianca and Lucentio dance together (“We Sing of Love”). Petruchio and Kate, newly wed, exit the church, followed by the gangsters, now dressed in Shakespearean costume as they keep an eye on Lilli. Petruchio implores Kate to kiss him, and she refuses. He lifts her over his shoulder and carries her offstage while she pummels his shoulder with her fists (“Kiss Me, Kate”).

ACT II

During the show’s intermission, the cast and crew relax in the alley behind the theater. Paul, Fred’s assistant, along with a couple other crew members, lament that it’s “Too Darn Hot” to meet their lovers that night. The play continues, and Petruchio exhausted from ‘taming’ Katherine, mourns for his now-lost bachelor life (“Where Is the Life That Late I Led?”).

Offstage, Lilli’s fiancé Harrison Howell looks for her. He runs into Lois, and she recognizes him as a former lover but promises not to tell Lilli. Bill is shocked to overhear this, but Lois tells him that even if she is involved with other men, she is faithful to him in her own way (“Always True to You in My Fashion”). Lilli tries to explain to Howell that she is being forced to stay at the theatre by the gangsters, but Howell doesn’t believe her and wants to discuss wedding plans. Fred insidiously points out how boring Lilli’s life with Howell will be compared to the theatre. Bill sings a love song he has written for Lois (“Bianca”).

The gangsters discover that their boss has been killed, so the IOU is no longer valid. Lilli leaves—without Howell—as Fred unsuccessfully tries to convince her to stay (“So in Love” Reprise). The gangsters get caught on stage and improvise a tribute to the Bard (“Brush Up Your Shakespeare”). The company prepares for the conclusion of the play, the wedding of Bianca and Lucentio, despite Lilli’s absence. Just in time, Lilli enters and delivers Kate’s final speech beautifully (“I Am Ashamed That Women Are So Simple”). Fred and Lilli wordlessly reconcile on stage, and the play ends with the two couples united (Finale)

 

 

CAST IN ORDER OF APPEARANCE

 

Pops the Stage Doorman /  Padua Priest

Garry Withnell

Stagehand Electrician / Innkeeper / Philip /     Aide to General Howell

Keith Hewitt

Stagehand Carpenter/ Driver for General      Howell / Gregory 

Stagehand Electrician / Nathaniel / Taxi Driver / Aide to General Howell

                                                 Graeme Scott

Neil Gordon

Hattie

Alison Train

Wardrobe Lady

Katie Rough

Paul / Haberdasher

Paul MacDonald

Ralph

Alastair Brown

Dance Captain

Shona Fraser

Fred Graham / Petrusio

John Knox

Harry Trevor / Baptista Minola

Andrew Mackie

Lois Lane / Bianca Minola

Hannah Easton

Lilli Vanessi / Katharine Minola

Siobhan Smith

Bill Calhoun / Lucentio

Connor Watt

First Man / Gangster / Aide to Katharine 

Roddy Bain

Second Man / Gangster / Aide to Katharine 

Craig W Lowe

Flynt / Gremio

Chris Hogg

Riley / Hortensio 

General Harrison Howell 

 

Jesper Petersen

Guy Sutherland

 

ENSEMBLE

Fiona Brown, Jo MacDonald, Grace Mackie, Alison McLean, Eileen Miller,

Rona Miller, Gemma Fagan, Hayley Findlay, Carol Fraser, Janet Heron,

Morag Mayland,  Jennifer Miller, Lindsey Mullin, Nicola Preston, Fiona Scott,

Karine Stalker, Caroline Steven, Gillian Stewart, Gillian Taylor, Janet Wilson, Valerie Withnell

 

PRODUCTION TEAM

DIRECTOR                    Sandy Queenan

MUSICAL DIRECTOR      Eddie MacLennan

CHOREOGRAPHER         Claire Withnell